Nikkor 50mm f/1.8D AF review

By Anthony Rampersad

I’m 28 and I live in Trinidad & Tobago. I’ve always been interested in photography but I guess its only recently that I’ve started taking my interest seriously. Somewhere in 2008 I shot my first “serious” picture and fell in love with both the process and results of the capture. I particularly enjoy nature and landscape photography and aspire to one day reach a pro-level skill even if its not accompanied by the pay.

Nikkor 50mm F1.8 overview

Where do I even begin with this lens? I bought it new with my Nikon D90 and have been using it for almost 7 months now. I bought is specifically to help develop my composition skills. Since it’s a fixed focal length (prime lens) you’re more or less forced to walk your way around your subject to get that frame just the way you want it. Of course it’s a 50mm lens but if you’re mounting this on a DX format camera (like the D90 for instance) it becomes a 75mm with the crop factor considered. I bought the 50mm as the first lens on my D90 this also being my first DSLR. At first I regretted my decision for not getting a zoom lens but realized afterwards that the 50mm was an excellent choice and combination with the D90. The lens is reviewed according to the below categories:

Nikkor 50mm F1.8 handling

It’s light, it’s really just light and easy to carry either on the camera body or as part of your gear package. The first time I attached the lens to the body of the camera I had a little difficulty, perhaps best attributed to unfamiliarity. But its a snap to snap on. The lens comes with an aperture ring but I don’t believe its functional or even necessary on DX cameras. In fact if you toggle it out of its widest aperture you can expect to get an error reading on your display. I absolutely love the smooth focusing action of the focus ring. It’s almost mercurial in both manual and auto focus modes. When switched on to AF, focusing is extremely quick. I was nothing short of impressed with the AF speed. My previous compact/bridge camera seemed Jurassic on a speed comparison and even my other lens the 55-200mm AF is a lot slower.

Nikkor 50mm F1.8 build quality

The 50mm certainly feels very compact for its price. For a $125 lens I’d almost expect to see rough flimsy plastic all the way around and the nauseating smell of cheap glue holding everything together. I was glad to see that it came with a metal attachment mount rather than the flimsy feeling plastic mount. It was mentioned in my D90 review that I dropped this camera with this lens attached. I guess I was thankful afterwards that I had the 50mm attached rather than my weightier zoom lens. No one likes to see a grown man cry.

Nikkor 50mm F1.8 image quality

Now it’s crunch time. How does the lens rank in terms of its image quality? At the risk of sounding like a converted Nikonite I cant resist saying that I love the image quality of the 50mm. The max aperture of f/1.8 is an excellent allowance for creatively blurred shots and quicker shutter speeds. At an amateur level I’ve shot my car, family, friends, flowers and everyday still life objects. It produces a crisp, clean super sharp shot with wonderful colour rendition and practically zero noticeable distortion. I’ve even managed to shoot some satisfactory close-ups with the addition of an Opteka closeup filter kit (52mm filter size). My very first shot with this lens was like bokeh love at first sight. I shot a blooming bougainvillea with the sunlight in the background at f/1.8 and the beautiful look of the bokeh produced by the peerings of sunlight through the leaves totally amazed me. It’s great for that and you wont be disappointed. I have to note though that on a few subsequent and similarly framed shots the bokeh appeared hexagonal (7 sides right?) in shape. One of the only shortfalls I guess with this lens is that the 7 diaphragm blades aren’t rounded so in some circumstances, expect the bokeh to look more mechanical than rounded and natural.

Nikkor 50mm F1.8 Pros

  • Superb image quality
  • Reliably built
  • Super-quick Autofocus
  • Fluid-smooth manual focusing
  • Excellent value pricing
  • No noticeable distortion
  • Wide maximum aperture. Allows for:
    • More creative shots from very shallow depth of field
    • Quicker shutter speeds

Nikkor 50mm F1.8 Cons

  • Diaphragm blades not rounded (sometimes jagged hexagonal bokeh)
  • No vibration reduction (although its necessity is debateable)

 

9.5/10

Check out the current Nikkor 50mm F1.8 best price

Nikon D3 review

By Chris Martin

Chris is a professional photographer based in Southampton, UK. He runs his own business, Chris Martin Photography, offering a number of photographic services to clients in the area including wedding, press, commercial and sports photography.

Nikon D3 Review

What more can I say? My D3 captured the image that won me the 2009 MPA UK Event Photographer of the Year title!

I bought a D3 shortly after the launch and have never regretted it. It has never let me down and has been used in all sorts of weather all over Europe. It has survived at the hands of airport security and baggage handlers and just keeps on going. The build quality is second to none and the image quality is up there with the best too.

I use the D3 both outdoors at sporting events and also in the studio and it is equally at home in either situation. It has the weight to keep it steady for smooth shutter releases at slow shutter speeds and gives me a certain level of confidence in its abilities. I also like to take photos at rock concerts and the D3 has the most amazing low light performance imaginable. I believe the D3S is even better but I have not had the opportunity to test one. The D3 is the first DSLR I have owned that I haven’t had the urge to upgrade.

Other features I would be lost without are the DX crop mode for sports shooting which still produces a 7MP file and the ability to load a picture control to match the colour output to the D2X which I also own. The latter in invaluable at weddings as is the ability to save to two CF cards simultaneously giving you and instant backup.

The ergonomics and handling of the camera are very much a personal thing but for me everything falls into place nicely and the menus are intuitve. I’d say, if you get a chance to try one then do so. I don’t think you’ll be disappointed.

Current Nikon D3 best price

Post-processing techniques to improve your photos

We have teamed up with PSDRockstar.com to list a couple of useful post-processing tips to improve your photos.  Adobe Photoshop is the number 1 graphical editing and post processing application available. It’s often possible to improve an average photo, through post processing, into a stunning image, and below is a list of some of the most common techniques.  Photoshop CS5 Extended is not a cheap tool, and the full version retailed for around £650 or $999.  However, a more basic Photoshop Elements version is available for a lot less, around £60 or $99. Also, even if you don’t have Photoshop, you will be able to adopt many of these techniques with your own graphical application, such as Paint Shop Pro, or Gimp.

Take Raw Photos

One of the most versatile ways to alter your photos is to take pohtos in RAW format.  I use a Canon EOS 20D and I’m sure it’s similar with many cameras but you have the ability to take photos in RAW & Jpeg mode at the same time.  This takes up more space on your card naturally but it means you have a jpeg image for immediate use and then a RAW photo for making alterations at a later date.

If you open a RAW image in photoshop, an editor window will appear (as shown below).

From this window you can change virtually all characteristics of the image ranging from brightness/contrast & colour alterations to vignetting and sharpness. Once you are happy with your settings, you can then save your settings and/or open up the image in Photoshop and then make further alterations if you so wish.

Sharpen images in Photoshop using the ‘High Pass’ filter

This can be found in the menu Filter > Other > High Pass

To use this filter, open up an image that you wish to sharpen. In the example below the butterfly is slightly blurry.

If you duplicate this layer(control/cmd +j) and then run the high pass filter (filters > other > high pass), a box will appear with a radius slider. The image will be mostly gray.  To achieve the optimum sharpness, move the slider so that the edges of the image are starting to come through the gray, in this case 1% seems to work well.

Hit “OK” and then set the layer mode to overlay.  This enhances the edges of the image and makes the photo look sharper.  If you want the image to be sharper still, simply duplicate the high pass layer.  If that makes the image too sharp, then simply reduce the layer’s opacity.  The finished effect is shown below.

Remove unwanted artifacts from your photos using the ‘clone stamp’ tool

The clone stamp tool is useful to remove unwanted elements in a photo.  This could be anything from facial blemishes in a portrait photo, to unwanted elements in a landscape scene.

Clone stamp copies an area which is artifact free and pastes it on top of the unwanted element in the photo.

In this example, I want to remove the leaves on the ground.

Simply select the clone stamp tool (s), adjust the brush head ( using [ or ] ) to get the right size and then hold down the alt key and click near to the area you wish to hide. Release the alt key and then proceed to brush over the unwanted element. The result is shown below

Canon 70-300mm F4 IS USM DO lens video review

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