How to take photos at night

In this article I will cover a couple of techniques on how to take photos at night. This includes:

  • How to take photos in low light
  • How to take photos with both the subject and the background brightly illuminated
  • How to take photos of moving objects (traffic lights at night)
  • How to take photos of lights (the bokeh effect)

 

In this post I have used the following equipment:

Please note that the aperture has been opened up completely for all the photos, mostly f/5.6.

 

How to photograph traffic at night

When dealing with moving objects in low light, you need a tripod or a flat surface to place the camera. You can use this technique in various situations, e.g. photographing traffic, ferris wheels, merry-go-rounds, camp fires, fireworks etc.

Photo taken with a shutter speed of 22 seconds and ISO 100
  1. Close the aperture to a minimum, ideally f/22 or less. This ensures that a longer shutter speed is required to take the photo and that the scene uses a larger depth of field.
  2. Set an appropriate ISO (I recommend the ISO be at a minimum)
    If you set an ISO of 100, the streak of light from the cars will be thin. Alternatively, if you set the ISO to higher values, the streak from the car will be thicker. However, setting a very high ISO may result in a grainy picture and create interference from other lights.
  3. Set an appropriate shutter speed. If you are taking pictures of many cars (for example, on a highway), it is advisable to use longer shutter speeds. This will provide streaks of lights from multiple sources.
  4. Take the photo.
Photo taken with 8 seconds shutter speed and ISO 100
Photo taken with 8 seconds shutter speed and ISO 800

You can use the same technique while capturing revolutions of ferris wheels as demonstrated below. When capturing fireworks, you can use a slightly higher ISO because you need the effect of the firework.

How to create the ‘Bokeh’ effect

For a Bokeh effect, do the following:

  1. Use a zoom lens
  2. Focus on an array of lights.
  3. Set the camera to manual focus.
  4. Change the focus until you get the desired effect.

How to take photos in low light

Generally a camera will be able to focus at night by throwing out strobe flashes into the surrounding area, however there are certain times when your camera refuses to focus in low light. This is because the light on the subject is insufficient. What people often do in this situation is shift the focus to manual and hope for the best.

Here is another way to focus correctly:

  1. Position the subject at the desired distance and make sure the flash is closed.
  2. Using program mode, set the focus to auto and set the exposure to 0 with a low ISO.
  3. Ask the person to hold out a source of light (I normally ask them to hold out a cell phone or a lighter).
  4. Half click the shutter release button. The auto focus sets the right focal length.
  5. Let go of the button, then either shift the focus to manual or use the Auto Focus Lock button (this ensures that the focus does not change when you next click).
  6. Make sure that neither the person nor you change position. (Also, ask the person to put away their cell phone!)
  7. Open the flash and take the photo.

 

How to take photos with both the subject and the background brightly lit

Slow Sync Flash (Foreground is in focus)

It is night time and two of my friends are standing outside a greenhouse in Lalbagh, Bangalore. I want to take a picture of them with the greenhouse in the background. If I just use the flash, chances are that they will come out sharp and in focus, however, the greenhouse will not glow to its full potential.

I recommend that you use a tripod for these kinds of shots with ISO set to 100-200. However, if you don’t have a tripod or flat surface immediately available, you could bump up the ISO to 800 or above, it will increase the grain in the image, however should provide a relatively sharp photo.

  1. Make sure that the subjects in the photo are in the correct position.
  2. Set up the tripod about 5 feet away.
  3. Switch to shutter priority mode.
  4. Set the shutter speed to match 0 stop exposure.
  5. Note that depending on how low the light is, the shutter speed can be set from 1/10th of a second to 10 seconds.
  6. Open up the flash.
  7. Click.

 

 

 

About the author

My love for photography started 5 years ago with a 2 MP pixel Kodak camera. A Sony super zoomer, a Canon 1000D, and 90,000 photos later, my journey has just started. I am not inclined to any specific genre of photography. With my photographs, I aim to share the world as I see it.

Best Wildlife Photos 2011

2011 has been a great year for wildlife photography. Below is a collection of some of the best pictures from around the globe.  Thanks to all of the photographers who allowed their spectacular images to be published on SLR Lens.

Rainbow Lorikeet by Lesley Smitheringale

Lean on me

© Lesley Smitheringale

Details and camera set-up:
Photo taken in Queensland, Australia
Canon EOS 400D with Canon 70–200mm lens plus extender EF 1.4x II

 

Sally Lightfoot Crab (Grapsus grapsus) by Mikel Hendriks

Sally Lightfoot Crab (Grapsus grapsus)

© Mikel Hendriks

Details and camera set-up:
Ecuador, Santa Cruz Island (Cerro Dragon), Galápagos Islands.
Canon EOS 50D | Sigma 120-400mm f/4.5-5.6 APO DG OS HSM
B+W Circulair Polarizing Filter + Manfrotto Monopod
1/250 sec | f/9.0 | 297 mm | iso 400 | -1/3 ev | no post processing

 

near ate my camera as well! By PeteRobo

Near ate my camera as well!

© Pete Robo

 

 

What ya got in there buddy? by Don

What ya got in there buddy?

© Don from Eurisko imaging

Details and camera set-up:
Nikon D3
Nikon 17-35 f/2.8D ED-IF @ 17mm
ISO 400
1/160 @ 6.3
Sea n Sea MDX Pro housing
Zen 200mm Glass Dome with 40mm extension
Dual YS250 at 1/4 on 8″ Ultralite Control arms With 1/3 CTO gel

 

Don't Have a Cow by Anthony Mike Lee

Don’t have a cow

© Anthony Mike Lee

Details and camera set-up:
Taken at Pleasanton Ridge Regional Park, Sunol, California, US
Canon 5D Mark I
Canon 35mm F1.4L

 

Puffin Portrait 2011 by John Moncrieff

 

Puffin Portrait 2011

© John Moncrieff

Details and camera set-up:
Taken in Sumburgh, Scotland, UK
Nikon D300
Nikkor 300mm F4

 

Jellyfish by Sergey Sus

Jellyfish

© Sergey Sus

Details and camera set-up:
Taken with a panasonic lx-3

 

Welcome to the Mara.. By Joost N.

Welcome to the Mara..

© Joost.N

Details and camera set-up:
Photo taken in Kenya
Nikon D700
Nikkor 300mm
1/750
f 13
Iso 640

 

Kingfisher by Darren Olley

 

Kingfisher

© Darren Olley

Details and camera set-up:
The photo was taken from a public hide at Gosforth Park in Newcastle using a Sony-A580 and a Sigma 150-500mm lens

 

The eyes of a fly by Rundstedt B. Rovillos

The eyes of a fly

© Rundstedt B. Rovillos

Details and camera set-up:
Photo taken in San Jose, Calabarzon, PH, using a Nikon D200

 

 

Tockus flavirostris by Achim

Tockus flavirostris

© Achim

Details and camera set-up:
Photo taken in the Samburu National Reserve, Kenya
Canon 5D Mark II
Canon 300mm F4 L IS

 

Anhinga grooming in the morning light by Deborah

Anhinga grooming in the morning light

© Deborah

Details and camera set-up:
Photo taken in the Everglades National Park, US.
Nikon D300
Nikkor 400mm

 

Keep Holding On By rdb75

Keep Holding On

© Richard Beech

Details and camera set-up:
Photo taken in Radipole, England, UK
Canon 550D
Sigma 150mm F2.8 Macro

 

Finally.... by Jeff Clow

Finally…

© Jeff Clow

Details and camera set-up:
Photo taken at hidden hill, Texas, US
Nikon D7000 coupled with a Nikkor 70-200mm f/2.8 lens and a Nikkor 2x teleconverter.

 

 

Gelada Baboon Simien Mountains Ethiopia by Yvon de Bruijn

Gelada Baboon Simien Mountains Ethiopia

© Yvon de Bruijn

Details and camera set-up:
Photo taken in the Semien Mountains of Northern Ethiopia
Camera Sony DSLR-A100
Exposure 0.003 sec (1/400)
Aperture f/6.3
Focal Length 500 mm
ISO Speed 400
Exposure Bias 0 EV
Flash Off, Did not fire

Edit – This photo was actually taken in 2009, however made the
front page of the ‘Best Magic of Nature’ flickr Group in Febr. 2011

 

 

Happy Treefrog By Alejandro Arteaga

Happy Treefrog

© Alejandro Arteaga

Details and camera set-up:
San Carlos de Limón, Morona-Santiago, Ecuador.
Canon EOS Rebel XTi with a Canon 2.8/f 100mm macro lens. Hand-held, natural light and a touch of fill-flash.

Edit – Again, not strictly taken in 2011, but such a great photo, it had to be included!

 

 

Funani & Adhama 07-05-11 by Peter Csanadi

Funani & Adhama 07-05-11

© Peter Csanadi

Details and camera set-up:
Photo taken at the San Diego Zoo.
Nikon D70 with an 18-70mm f/3.5-4.5 G ED Nikkor lens

 

 

... reaching the edge ... by Weng Keong Liew

… Reaching the edge …

© Weng Keong Liew

Details and camera set-up:
Camera Canon EOS 5D Mark II
Exposure 0.005 sec (1/200)
Aperture f/11.0
Focal Length 65 mm
ISO Speed 100
lighting setup

 

 

Red Squirrel looking pretty in the Heather by Margaret Walker

Red Squirrel looking pretty in the Heather

© Margaret Walker

Details and camera set-up:
Photo taken in Aviemore, Scotland
Nikon D300s
Exposure: 0.001 sec (1/2000)
Aperture: f/4.5
Focal Length: 300mm
ISO Speed: 400

 

 

Enchanted Forest by Andrew Evans

Enchanted Forest

© Andrew Evans

Details and camera set-up:
Nikon D3
Exposure: 0.004 sec (1/250)
Aperture: f/2.8
Focal Length: 400mm
ISO Speed: 800

Canon 40D review

Front view of the Canon 40D

Don’t forget you can also watch the Canon 40D video review.

Now several years old, the 40D is a prosumer level camera produced by Canon.  There have since been a number of revisions of the 40D, with the current model being the Canon 60D, however the 40D is still a very competent camera and stands up well to time.

Canon 40D details

The Canon 40D is a 10 megapixel camera which is 2 megapixels more than its predecessor, the Canon 30D. Weighing 740 grams and with a magnesium alloy body construction, it certainly feels like a tough camera, although as with any expensive digital equipment, it’s not something advisable to drop, at any distance. For someone already familiar with the Canon XXD range, the button layout of the Canon 40D remains largely the same.  Buttons are well positioned and it is relatively easy to access all major functions of the camera whilst looking through the viewfinder. As with all previous models, the Canon 40D takes Compact Flash memory cards but the size of the LCD screen to the rear of the camera has been increased slightly  to 3 inches.

Rear view of the Canon 40D

A major improvement from the previous Canon 30D model is the live view function (accessed via the menu) which allows the LCD screen to act as the viewfinder.  This makes taking pictures considerably easier in some circumstances, notably macro photography. Continuous shooting mode runs at 6.5 frames per second, which is also an improvement over the Canon 30D which only managed 5 frames per second.  The Canon 40D ISO range spans 100 – 3200 and it is easily altered whilst looking through the viewfinder and pressing the appropriate button on the top of the camera. The Canon 40D is also compatible with wireless transmitters, effectively removing the need to use Compact Flash and therefore storing photos directly on a nearby computer. Furthermore, the Canon 40D can also shoot video IF connected to a computer. The ability to shoot video is not a standard function however, as it is with the Canon 60D.

Side view of the Canon 40D

Canon 40D image quality

Below are a few examples of photos taken with the Canon 40D using a Sigma 70-300mm and Canon 28-105mm lens.  These photos are un-edited and hopefully will provide a good idea of the sort of picture quality that can be expected when using this camera at varying ISO levels.

Buy Canon 40D

The Canon 40D price has dropped over the years as newer XXD models have been released and it is currently an attractive option for somebody wanting to purchase a quality camera for half the price of the latest model.
When compared to the current XXD model, the Canon 60D, the Canon 40D has the following advantages:

1) Is half the price
2) Has a superior build quality
3) Has a faster continuous shooting mode
4) Can connect to an external Flash

However, it also has the following disadvantages:
1) Uses an older Digic 3 processor (compared to a Digic 4 on the Canon 60D)
2) Can only take photos up to 10 megapixels (compared to 18 megapixels on the Canon 60D)
3) Cannot shoot high definition video unless connected to a computer

Canon 40D verdict

Top down view of the Canon 40D

The Canon 40D is a great camera. It has a wide array of customisable functions and makes SLR photography a fun and enjoyable pursuit. There aren’t any major drawbacks to the Canon 40D and especially when considering the price of a Canon 40D for sale today, it’s certainly becomes an attractive option. For a cropped sensor digital SLR camera that isn’t too expensive, the Canon 40D is an ideal choice.

10/10

You can also check out the current Canon 40D cheapest price.